Turning the Greatest Anti-war Novel Ever into Bourgeois Propaganda

All Quiet on the Western Front won four Oscars, and it’s not hard to see why. The production — depicting the horrors of World War I — is spectacular. Yet the producers did not at all understand Erich Maria Remarque’s novel. Spoilers follow.

Five Years after Ursula K. Le Guin’s Death, We Need Her More Than Ever

Ursula K. Le Guin tended the embers of revolt in a new age of imperialism and counterrevolution. She tasked us with stoking them into a blaze.

Glass Onion: Liberalism’s Dream

Netflix’s new movie, Glass Onion: A Knives Out Mystery, is the ruling class’s dream about itself.

Selling Suffering and the Spectacle of Blackness in Nope

In his new movie, Jordan Peele examines the ways in which the capitalist system forces us to place our lives in jeopardy and sell our own suffering. Spoiler alert!

Women Directors Have Made Some of the Greatest Films Ever. Here Are 11 You Might Not Know.

Women have been important contributors to the development of cinema from the beginning, but films by women directors have often been underappreciated and overlooked. Here we present some of the greatest films made by women from around the world to enjoy during Women’s History Month and throughout the year.

‘Don’t Look Up’: Why the Climate Crisis Isn’t a Comet, and Why That Matters

'Don’t Look Up' presents an opportunity to reignite the climate movement. That means we have to look beyond its creators’ calls for individual action.

The New Matrix Film Could Have Been a Brilliant Satire — Instead We Get Corporate Slop

Matrix: Resurrections is a profoundly unnecessary film that exemplifies the blandness of Hollywood in the age of capitalism’s decline.

Against Subtlety: ‘Don’t Look Up’ Is the Movie for Our Moment

Don’t Look Up is The Movie about what it feels like to be alive right now. It’s a masterpiece of 21st-century climate anxiety and, more importantly, class rage.

‘Dune’ Is Anticolonialism as Imagined by Megacorporations

The new film based on Frank Herbert's epic is full of anti-imperialist imagery, but it amounts to nothing more than a Hollywood version of colonial resistance struggle.